On Finas Misturas (Fine Mixtures), Adolfo wanted to mix his compositions in with some notable jazz standards and apply his exceptional arranging and performance method to the mix. His result is a collection of ten pieces—six original compositions and five jazz standards—that meld together, forming a Brazilian Suite that is elegantly humid with the gentle swing of a warm wind.
Adolfo, with no small amount of cunning, applies his recipe to John Coltrane’s cranky and demanding “Giant Steps,” with Claudio Spiewak’s acoustic guitar softening all of the hard edges and cushioning Marcelo Martins’s almost anti-Coltrane tenor saxophone. The pianist does the same with Coltrane’s “Naima,” his feathery playing lightening the compositional gravity of both pieces. Dizzy Gillespie’s “Con Alma” fits most perfectly in to Adolfo’s program, illustrating what can be done to update perfection, while Adolfo’s own “Tres Meninos” buddies well with Chick Corea’s “Crystal Silence” and Bill Evans’ “Time To Remember,” closing Finas Misturas in fine fashion.
Track Listing: Floresta Azul (Blue Forest); Balada (Ballad); Giant Steps; Con Alma; Misturando (Mixing); Memories of tomorrow; Naima; Tres Meninos (Three Little Boys); Crystal Silence; Time Remembered.